Journal · No. 01
Giclée printing & archival standards.
A short, honest guide to the language of fine art photography prints — what it means when a piece is sold as archival, what to look for in a giclée, and how to judge whether a print on your wall will outlast you.
What giclée actually means
Giclée (pronounced zhee-clay) is a French-derived term coined in the early 1990s to distinguish high-resolution archival inkjet prints from the poster-grade output that shared the same machine category at the time. It is a marketing word, not a regulated standard — there is no certifying body. What gives the word weight is the underlying materials: pigment inks, archival paper, and a printer calibrated to resolve subtle tonal transitions in shadow and highlight.
If any one of those three elements is missing, the print is just an inkjet.
Pigment vs. dye inks
Dye inks dissolve into the paper fibre. They are vivid on day one and visibly faded within five to ten years on display. Pigment inks sit as microscopic solid particles bonded to the paper surface. Independent accelerated-light testing by Wilhelm Imaging Research consistently rates current pigment inksets at 100 to 200+ years of display permanence under normal indoor conditions behind UV-filtering glass.
For any photograph you intend to keep, pigment is the only honest choice.
The paper matters more than the printer
Two papers dominate serious photographic printing:
- 100% cotton rag
- Matte or semi-matte surface, deep blacks, museum-grade longevity. Weight typically 300–340 gsm. The reference for monochrome and contemplative work.
- Premium luster photo paper
- A resin-coated paper with a fine, low-glare sheen. 240–260 gsm. Holds subtle skin tones and natural-light tonality without the glare of glossy or the softness of matte — the standard for editorial and natural-light photography.
Both, when acid-free and lignin-free, qualify as archival. Pick by image, not by fashion.
Four questions to ask before you buy
- Are the inks pigment? If the seller cannot answer, the answer is no.
- What paper, and what weight? Cotton rag or premium luster, 240 gsm or heavier, acid-free.
- What is the edition size? Smaller editions hold value. Open editions are reproductions, not art.
- Is it numbered? Edition numbering certifies authenticity and tracks the limited run.
How pho-toe prints
Our editions are output on premium luster photo paper, 260 gsm, with archival pigment inks — produced fresh for each order by our print partner, then quality-checked and dispatched directly. Each piece is made to order so the paper never sits in a warehouse. You can read the full specification on the process page, or browse the current gallery.
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